Books



Articles & Chapter
“Ear Training for Incarceration: Carceral Acoustemology within the Contemporary Jail” (with Joel Castón and Michael Woody). In Sound & Detention: Towards Critical Listening, Sonic Citizenship, and Social Justice, edited by Lucy Cathcart Frödén, Kate Herrity, and Áine Mangaoang, 15–34. New York: Bloomsbury, 2026.
“Ruin and Recovery: Consumer Culture and the Development of American Zither Technology from 1880 to 1930.” The Galpin Society Journal 77 (March 2025): 157–172.
“Exploring Ethnomusicological Films: Short Texts by the Directors of 6 Films Shown at the 2nd Symposium of the ICTMD Study Group on Audiovisual Ethnomusicology (Lisbon, 2018)” (with Jana Belišová, Robbie Campbell, Horacio Curti, Michael B. MacDonald, and Miranda van der Spek). Trans. Revista Transcultural de Música 27 (2023): 1–13.
“Images Beyond Consent: Developing an Ethics of Ciné-Ethnomusicology.” In The Routledge Companion to Ethics and Research in Ethnomusicology, edited by Jonathan P. J. Stock and Beverley Diamond, 299–311. New York: Routledge, 2022.
“Using ‘Home Movie’ Strategies to Interrogate Musical Change: Discussion with Peter Ian Crawford.” The Journal of Audiovisual Ethnomusicology 1 (Fall 2022).
“Sounding Lockdown: Singing in Administrative Segregation at the Louisiana Correctional Institute for Women” (with Consuela Gaines). In Popular Music and the Politics of Hope: Queer and Feminist Interventions, edited by Susan Fast and Craig Jennex, 299–316. New York: Routledge, 2019.
“The Long Weekend: Exclusion, Intrusion, Trolls, and Punks.” Music and Politics 13, no. 1 (Winter 2019): 1–9.
“Editor’s Introduction.” In “Women’s Prison Music,” special issue, American Music 30, no. 2 (Summer 2013): 127–133.
“Only Time: Musical Means to the Personal, the Private and the Polis at the Louisiana Correctional Institute for Women.” In “Women’s Prison Music,” special issue, American Music 30, no. 2 (Summer 2013): 203–240.
“I’ll Keep on Living After I Die: Musical Manipulation and Transcendence at Louisiana State Penitentiary.” The International Journal of Community Music 3, no. 1 (March 2010): 65–76.
“Of Their Knowledge in Musick: Early European Musical Encounters in Egypt and the Levant as Read within the Emerging British Public Sphere, 1687–1811.” Pacific Review of Ethnomusicology 13 (2008): 1–12.
